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Art-O-Rama Marseille 2025:Galleries Sans Titre Paris & Ilenia London come together to show works by Romain Serrot and Daria Blum. Through different mediums and methods,
Martin Kähler (@martin.kaehler) finds his materials on construction sites, not just focusing on the material itself but on the pragmatic installation and aesthetic moments that
Rebecca Halliwell-SuttonLeftovers, 2025 Aluminium, tape, direct positive silver gelatin paper (pinhole image) From « Love and Mankind is Grass » at Blue Whip @studemood@blue__whip ––– Photos from
Dependers, 2025 Barre holders, aluminum, encaustic on jesmonite, stucco plaster and canvas, archival cardboard Soft Drain, 2025Canvas, aluminum @tuuerme@damien.and.the.love.guru ––– Photos from the artist, credit @felixjungo_ #contemporary#contemporaryart#scultpure#contemporarysculpture#digitalcuration#digitalcurator
« Living Rooms » at POSSIBLY SOMETIME TOMORROW Paris @possiblysometimetomorrow from June 2025. Photos featuring works by:Sofía Bonilla Otoya @sofiboniMathilde Albouy @mathildealbouySer Serpas @ser_seraand Winnie
Richard Dean Hughes From solo show « Choice Dirt » at Xxijra Hii London until August 9. Soltrace, 2025 Cast and polished aluminium, solvent based spray paint, wax, adhesive,
Arnaud Eubelen Split Lift, 2019 Amazing objects by @aeubelen ; somewhere between sculpture and design. ––– #contemporary#contemporaryart#contemporarysculpture#design#objects#digitalcurator#digitalcuration Photos from the artist page https://www.instagram.com/p/DMczrsUgFwh/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
Hans Rosenström Skin and Teeth, 2025 From solo show « Gradually, then suddenly », the piece explores how buildings equate to bodies. I love the use of industrial
Anna Grath’s (@anna_grath) works feel more like suspended emotions than suspended forms. Materials splayed but precise, and at the same time, fragile, precarious. Feels like